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dc.contributor.authorRomanenkova, Julia-
dc.date.accessioned2022-09-26T06:25:59Z-
dc.date.available2022-09-26T06:25:59Z-
dc.date.issued2022-
dc.identifier.citationRomanenkova J. Ukrainian Traditional Circus in Today's Reality: Between Formation and Abasement / J. Romanenkova // Art-platforme. - 2022. V. 1(5). - P. 203-220uk_UA
dc.identifier.urihttps://er.nau.edu.ua/handle/NAU/56363-
dc.description.abstractThe article is dedicated to modern Ukrainian circus art. Ukraine has a very powerful circus school, represented by highly professional specialists in all the leading genres of circus art. The problem of the traditional circus’s existence is actualized in the face of the challenges of modern society. The fact that a traditional circus is possible only if it contains the animal training genre is emphasized, ie use of animals in circus shows. The importance of analyzing the issue solely on the example of state stationary circuses (Ukraine has seven such organizations today) is emphasized, ie on the example of circus institutions that own buildings and conditions for animals standing, providing them with the necessary veterinary care, feeding and the necessary regime of keeping. The main challenges of our time are given that threaten the existence of animal training as a genre of circus art: COVID-2019, which made circus performances almost impossible as an element of mass entertainment events due to quarantine restrictions, the Russian-Ukrainian war, which destroys, amonguk_UA
dc.language.isoen_USuk_UA
dc.publisherKyiv Municipal Academy of Circus and Performing Artsuk_UA
dc.subjectperforming artsuk_UA
dc.subjectcircus artuk_UA
dc.subjecttraditional circusuk_UA
dc.subjectanimal traininguk_UA
dc.subjectcircus showuk_UA
dc.titleUkrainian Traditional Circus in Today's Reality: Between Formation and Abasementuk_UA
dc.typeArticleuk_UA
dc.subject.udc7.792(071)uk_UA
dc.identifier.doi10.51209/platform.1.5.2022.203-220-
Располагается в коллекциях:Статті кафедри комп'ютерних технологій дизайну і графіки

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